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CDs, die man nicht an jeder Ecke findet. - Bob Barnardt
CDs, die man nicht an jeder Ecke findet. - Shirley Brill
CDs, die man nicht an jeder Ecke findet. - Accentus
CDs, die man nicht an jeder Ecke findet. - Tiken Jah Fakoly
CDs, die es nicht an jeder Ecke gibt - Jean-Guihen Queyras
CDs, die es nicht an jeder Ecke gibt - Matthias Zeller
CDs, die es nicht an jeder Ecke gibt - Martin Helmchen
CDs, die es nicht an jeder Ecke gibt -accentus
CDs, die es nicht an jeder Ecke gibt - Anonymous 4
CDs, die es nicht an jeder Ecke gibt - Cameratra Bern
CDs, die es nicht an jeder Ecke gibt - Collegium Vocale Gent
CDs, die es nicht an jeder Ecke gibt - Die hohen dorfer
CDs, die es nicht an jeder Ecke gibt - Venice Baroque Orchestra
digitalindie | 30 Juli, 2008 11:15
Bringing fresh energy to the rich legacy of Baroque music that endures in Venice, the Venice Baroque Orchestra (= VBO) – the resident orchestra of the city’s Scuola Grande di San Rocco, one of Venice’s most venerable and respected cultural institutions - has become an important new force in the field of period-instruments performance. The VBO focuses on Italian music of the 17th and 18th centuries, and the ongoing rediscovery of Italian Baroque opera.
The founding of the VBO – the only Venetian orchestra specializing in the performance of early music with original instruments – grew out of a 1997 encounter between Andrea Marcon and the Accademia di San Rocco. The connection has an important link with Venetian tradition – the Scuola is home to the paintings of Tintoretto, with a history that echoes with the music of Giovanni Gabrieli, Giovanni Battista Grillo, Giovanni Picchi and Francesco Cavalli.
In the spirit of a true Baroque orchestra, the size and composition of the VBO varies, reflecting the demands of the repertoire, from a small chamber ensemble to the classic orchestra. The orchestra has already collaborated with a number of renowned soloists and presented the first modern performances of a number of forgotten Baroque works. At the Teatro Fenice in 1998, the orchestra gave the first modern performance of Francesco Cavalli’s opera L’Orione, revised and transcribed by Andrea Marcon.
VIVALDI and others - Andromeda liberata Serenata veneziana
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