digitalindie

CDs, die man nicht an jeder Ecke findet. - Bob Barnardt
CDs, die man nicht an jeder Ecke findet. - Shirley Brill
CDs, die man nicht an jeder Ecke findet. - Accentus
CDs, die man nicht an jeder Ecke findet. - Tiken Jah Fakoly
CDs, die es nicht an jeder Ecke gibt - Jean-Guihen Queyras
CDs, die es nicht an jeder Ecke gibt - Matthias Zeller
CDs, die es nicht an jeder Ecke gibt - Martin Helmchen
CDs, die es nicht an jeder Ecke gibt -accentus
CDs, die es nicht an jeder Ecke gibt - Anonymous 4
CDs, die es nicht an jeder Ecke gibt - Cameratra Bern
CDs, die es nicht an jeder Ecke gibt - Collegium Vocale Gent
CDs, die es nicht an jeder Ecke gibt - Die hohen dorfer

CDs, die es nicht an jeder Ecke gibt - Baden Powell

digitalindie | 07 August, 2008 10:28

Born in the Varre e Sai district, he was baptized after his grandfather, a musician and conductor himself, whose father was an admirer of the Boy Scouts founder. When he was four months old, his family moved to the hill of São Cristóvão in the city of Rio. His father, the violonista Lino de Aquino, promoted regular get-togethers (rodas) of chorões at his home, at which famous names of Rio's music used to play, such as Pixinguinha, his brother China, the sambista Donga, and so many others. At eight, his father took him to Rádio Nacional where Powell met Meira (Jaime Florence), a famous violonista at the time a member of Benedicto Lacerda's regional. Powell would study violão with him for five years. Through Meira, a broad-minded musician, he discovered classics such as Segovia and Tarrega, along with Brazilian masters such as Garoto and Dilermando Reis. At nine, he presented himself at Renato Murce's show Papel Carbono on Rádio Nacional, winning first place as a guitar soloist. At 13, he used to run from school, earning his first cachets at the neighborhood parties. After finishing high school, he joined the cast of Rádio Nacional as an accompanist. In that time, he traveled through Brazil with the radio's singers. In 1955, he joined Ed Lincoln's trio, playing jazz at the Plaza nightclub. The place was a focal point for musicians, journalists, and aficionados interested in jazz. It should be regarded as the second place where bossa nova was being generated (the first being Cantina do César, after Johnny Alf's first appearances), contrary to the common notion of bossa being born at Zona Sul (South side's) apartments.

Recommendation:  RIO DAS VALSAS, AT THE RIO JAZZ CLUBListen to it by www.digitalindie.net

 

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